Like many films of the 50s, 60s Bergman, it revolves around mainly on spiritual, religious matters, even the title is also from the New Testament. The way this film placed metaphor is very clever, appears before but the explanation lies in the next situation, such as the similarities between the play of Minus and the way Karin faces God, or the way Minus overcome the fears for women and the journey to connect with God.

• Through a Glass Darkly
• Harriet Andersson
• Gunnar Björnstrand
• Max von Sydow
• Ingmar Bergman